“I have been drawing on location for as long as I can remember. In fact, it’s difficult to work in the studio because I’ve been drawing “outside” for so long and in so many places. There is nothing like reportage drawing in the midst of swirling humanity or in the calm of a garden. All the sights, sounds and smells find their way into your drawings.
Drawing on location creates aliveness, animation and spontaneity in all your art, not just your reportage drawings. It’s always rewarding to see my students embark on this road.
Once you become a reportage artist everything you do is infused with motion and life. It’s difficult to see the world any other way. To go somewhere and filter that world through your eyes and hands and create a piece of art that no one else can create is a great feeling. It’s an experience I love to live whenever I get the chance.”